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ورشة الدراماتورج

اسم المدرب: بيتر ايكرسول

البلد: استراليا

عن المدرب: هو أستاذ للمسرح وفنون الأداء، المدير التنفيذي لبرامج الدكتوراه في المسرح والأداء بمركز الدراسات العليا بجامعة سيتي بنيويورك. حاصل على درجة الزمالة الشرفية بقسم الثقافة والإعلام بجامعة ملبورن استراليا.

عن الورشة: هذه الورشة توضح المفهوم الأوروبي لوظيفة الدراماتورجي، وتحدد لماذا وكيف يمكن ربط هذه الوظيفة بالمسرح المعاصر وصناعة الأداء في عالم اليوم
هذه الورشة تجيب على ثلاثة تساؤلات رئيسة
• ما هو الدراماتورج؟
• كيف تتعلق هذه الوظيفة بعملي كؤد وممثل؟
• إلى أي مدى يمكن اعتبار المسرح المعاصر خاضع لعمل الدراماتورجي؟

التاريخ: 11-15 سبتمبر
المكان: قاعة الأداب المجلس

– Name: Peter Eckersall

– Country: Australia

– Biography: Peter Eckersall is Professor of Theatre and Performance and Executive Officer of the PhD Program in Theatre and Performance at the Graduate Centre, City University of New York. He is an Honorary Professorial Fellow in the department of Culture and Communication, University of Melbourne.

– Workshop’s title: Dramaturgy Workshop

– About the Workshop: Dramaturgy is a critical process in and for devising contemporary performance. A transformative artistic practice bridges ideas, themes and politics and considers how these can be communicated and represented in and through the medium of performance. In addition, as a concept and a practice – and dramaturgy blurs these distinctions – it often extends beyond the scope of composition in theatre and is applied to a diversity of artistic practices and media as well as social activities and the everyday. Hence, we can talk about the dramaturgy of political campaigns, of sporting events, religious gatherings, concerts, lectures, media campaigns, exhibitions, urban spaces and so on.

Lecture and workshop plan

This workshop will introduce the European understanding of dramaturgy and consider if and how it might relate to contemporary theatre and performance making in the world today. It will consider three primary questions:

What is dramaturgy?
How does it relate to what I do as a performing artist?
In what way is contemporary theatre always dramaturgical?
I propose a series of lectures and workshops over four or five days to introduce, debate and evaluate these questions, initially from the perspective of international practice and then in relation to the local. My workshop will begin with this understanding that to think dramaturgically is to think about making work from the point of view of structure and form.

The workshop will use a variety of ways to explore questions about dramaturgy including: lecture-presentations; discussion groups and break-out sessions and, most important, practice-based exercises. We will explore dramaturgy through thinking and doing.

Please note: we will explain many terms in the workshop. For now, please know that the terms theatre and performance are interchangeable and include all aspects of the performing arts: drama, performance arts, traditional theatres, dance, etc.

Time: 11-15 Sep

Place: Literature Hall