{"id":52126,"date":"2019-09-01T09:56:03","date_gmt":"2019-09-01T05:56:03","guid":{"rendered":"http:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o.jpg"},"modified":"2019-09-01T10:06:49","modified_gmt":"2019-09-01T06:06:49","slug":"69011840_2720261201533900_3862979197605511168_o","status":"inherit","type":"attachment","link":"https:\/\/atitheatre.ae\/?attachment_id=52126","title":{"rendered":"69011840_2720261201533900_3862979197605511168_o"},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_jetpack_social_image_focal_point":{"x":0.5,"y":0.5}},"class_list":["post-52126","attachment","type-attachment","status-inherit","hentry"],"jetpack_sharing_enabled":true,"description":{"rendered":"

\"\"<\/a><\/p>\n

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\u0627\u0644\u0628\u0644\u062f: \u0641\u0631\u0646\u0633\u0627<\/p>\n

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Workshop\u2019s title: THE BODY AS A PATH TO POETRY
\nName: S\u00e9bastien Brottet-Michel
\nCountry: France
\n\u2013 Biography: After getting a master of Study of Cinematography at University Lumi\u00e8re Lyon II, S\u00e9bastien started learning about theatre in the drama school of Anne Sicco \u201cl\u2019Oeil du Silence\u201d in 1998. During two years, he learnt the principle of biomechanic. He also attended numbers of workshops like, mime with Marcel Marceau, and Art of Kyogen with Master Shime Shigeyama.
\nS\u00e9bastien has started to play as a professional actor from 2000 in \u201cHamlet\u201d and \u201cRomeo and Juliet\u201d of Shakespeare, \u201cFreedom in Bremen\u201d of Fassbinder. He also played in some short movies. He has became an actor of Th\u00e9\u00e2tre du Soleil directed by Ariane Mnouchkine.
\nHe has participates in the last four collective creations of Th\u00e9\u00e2tre du Soleil and plays all around the world. He is now since 2016 in the new production of Th\u00e9\u00e2tre du Soleil, \u00ab Une chambre en Inde \u00bb, In 2018, he directed his first show \u00ab As Irmas Siamesas \u00bb (The siamese sisters) from Jose Rubens Siqueira in Sao Paulo. Since 2015, is also actor\/helper on the workshop directed by Ariane Mnouchkine \u00ab the nomade school of Th\u00e9\u00e2tre du Soleil \u00bb wich was given in Chili, Sweden and India. Beside his work as an actor, S\u00e9bastien also works as assistant director in France and in Brazil. Starting from 2011, he holds the workshop \u201cThe Poetic Body\u201d, which is inspired by his own experience of acting, creating and teaching. This workshop has already been given in Brazil, France, Taiwan, Hong-Kong and Macao.
\n\u2013 About the Workshop: When I talk about poetry, I want to talk about verity. The theatrical verity is when we live a situation, totally, sincerely, without caring about the special, physical or vocal constraint. If there is a verity, the audience enter into emphases with the actor and receive the emotions, which animate the actor. It is not only by the actor but also by those who watch relieve a lively poetry from this verity. We call this a status (a state). That means a passion, an internal drama, which is lively and not spurious. Unfortunately, sometime it is difficult to accede to this status in improvisation. We ask ourselves, \u201chow should I react to what my partner did or said?\u201d, \u201chow should i place myself?\u201d, \u201cI have decided my character a draft, I have to stay in my position\u201d\u2026
\nWe are filled up with an interior discourse, which distorts the perception of the trueness, preconceived ideas which impose to ourselves and stop us to listen to others and true self. For this, thanks to my experience in Theater du Soleil, i have developed a personal technique of searching the verity by using the body. With this corporal exercises, we can accede to the verity. We get rid of, for example, the visual sense, to learn how to be aware of others near you, and to trust them. We get rid of the stress of moving, letting the other to manipulate us and guide us. There is just the concentration of seeing, listening, and so sensing.Thus we always at the same point: sense.Felling the verity, the true emotion submerge us. Our body become lively, a poetic body.
\nPROGRAMME:
\nDay 1: Physical training based on the suspension, immobility, opposition and separation for composing to search the extreme status and practice with an improvising them.
\nDay 2: Practice the art of manipulation of the body like a puppet and improvise with guidance.
\nDay 3: Using of the music as a support of emotion. Learn to listen and be guided by the sentiment given from the music. The musical rhythm becomes the body\u2019s rhythm. Practice with improvisation on the given music.
\nTime: 16-18 Sep<\/p>\n"},"caption":{"rendered":"

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\u0639\u0646 \u0627\u0644\u0648\u0631\u0634\u0629: <\/p>\n

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\u0627\u0644\u062a\u0627\u0631\u064a\u062e: \u0645\u064616-18 \u0633\u0628\u062a\u0645\u0628\u0631<\/p>\n

\u0627\u0644\u0645\u0643\u0627\u0646: \u0633\u064a\u0646\u0645\u0627 \u0627\u0644\u0627\u0628\u062f\u0627\u0639<\/p>\n

Workshop\u2019s title: THE BODY AS A PATH TO POETRY
\nName: S\u00e9bastien Brottet-Michel
\nCountry: France
\n\u2013 Biography: After getting a master of Study of Cinematography at University Lumi\u00e8re Lyon II, S\u00e9bastien started learning about theatre in the drama school of Anne Sicco \u201cl\u2019Oeil du Silence\u201d in 1998. During two years, he learnt the principle of biomechanic. He also attended numbers of workshops like, mime with Marcel Marceau, and Art of Kyogen with Master Shime Shigeyama.
\nS\u00e9bastien has started to play as a professional actor from 2000 in \u201cHamlet\u201d and \u201cRomeo and Juliet\u201d of Shakespeare, \u201cFreedom in Bremen\u201d of Fassbinder. He also played in some short movies. He has became an actor of Th\u00e9\u00e2tre du Soleil directed by Ariane Mnouchkine.
\nHe has participates in the last four collective creations of Th\u00e9\u00e2tre du Soleil and plays all around the world. He is now since 2016 in the new production of Th\u00e9\u00e2tre du Soleil, \u00ab Une chambre en Inde \u00bb, In 2018, he directed his first show \u00ab As Irmas Siamesas \u00bb (The siamese sisters) from Jose Rubens Siqueira in Sao Paulo. Since 2015, is also actor\/helper on the workshop directed by Ariane Mnouchkine \u00ab the nomade school of Th\u00e9\u00e2tre du Soleil \u00bb wich was given in Chili, Sweden and India. Beside his work as an actor, S\u00e9bastien also works as assistant director in France and in Brazil. Starting from 2011, he holds the workshop \u201cThe Poetic Body\u201d, which is inspired by his own experience of acting, creating and teaching. This workshop has already been given in Brazil, France, Taiwan, Hong-Kong and Macao.
\n\u2013 About the Workshop: When I talk about poetry, I want to talk about verity. The theatrical verity is when we live a situation, totally, sincerely, without caring about the special, physical or vocal constraint. If there is a verity, the audience enter into emphases with the actor and receive the emotions, which animate the actor. It is not only by the actor but also by those who watch relieve a lively poetry from this verity. We call this a status (a state). That means a passion, an internal drama, which is lively and not spurious. Unfortunately, sometime it is difficult to accede to this status in improvisation. We ask ourselves, \u201chow should I react to what my partner did or said?\u201d, \u201chow should i place myself?\u201d, \u201cI have decided my character a draft, I have to stay in my position\u201d\u2026
\nWe are filled up with an interior discourse, which distorts the perception of the trueness, preconceived ideas which impose to ourselves and stop us to listen to others and true self. For this, thanks to my experience in Theater du Soleil, i have developed a personal technique of searching the verity by using the body. With this corporal exercises, we can accede to the verity. We get rid of, for example, the visual sense, to learn how to be aware of others near you, and to trust them. We get rid of the stress of moving, letting the other to manipulate us and guide us. There is just the concentration of seeing, listening, and so sensing.Thus we always at the same point: sense.Felling the verity, the true emotion submerge us. Our body become lively, a poetic body.
\nPROGRAMME:
\nDay 1: Physical training based on the suspension, immobility, opposition and separation for composing to search the extreme status and practice with an improvising them.
\nDay 2: Practice the art of manipulation of the body like a puppet and improvise with guidance.
\nDay 3: Using of the music as a support of emotion. Learn to listen and be guided by the sentiment given from the music. The musical rhythm becomes the body\u2019s rhythm. Practice with improvisation on the given music.
\nTime: 16-18 Sep<\/p>\n"},"alt_text":"","media_type":"image","mime_type":"image\/jpeg","media_details":{"width":1125,"height":675,"file":"2019\/09\/69011840_2720261201533900_3862979197605511168_o.jpg","sizes":{"thumbnail":{"file":"69011840_2720261201533900_3862979197605511168_o-150x150.jpg","width":150,"height":150,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o-150x150.jpg"},"medium":{"file":"69011840_2720261201533900_3862979197605511168_o-300x180.jpg","width":300,"height":180,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o-300x180.jpg"},"large":{"file":"69011840_2720261201533900_3862979197605511168_o-1024x614.jpg","width":1024,"height":614,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o-1024x614.jpg"},"tie-small":{"file":"69011840_2720261201533900_3862979197605511168_o-110x75.jpg","width":110,"height":75,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o-110x75.jpg"},"tie-medium":{"file":"69011840_2720261201533900_3862979197605511168_o-310x165.jpg","width":310,"height":165,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o-310x165.jpg"},"tie-large":{"file":"69011840_2720261201533900_3862979197605511168_o-310x205.jpg","width":310,"height":205,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o-310x205.jpg"},"slider":{"file":"69011840_2720261201533900_3862979197605511168_o-660x330.jpg","width":660,"height":330,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o-660x330.jpg"},"big-slider":{"file":"69011840_2720261201533900_3862979197605511168_o-1050x525.jpg","width":1050,"height":525,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o-1050x525.jpg"},"full":{"file":"69011840_2720261201533900_3862979197605511168_o.jpg","width":1125,"height":675,"mime_type":"image\/jpeg","source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]}},"post":52117,"source_url":"https:\/\/atitheatre.ae\/wp-content\/uploads\/2019\/09\/69011840_2720261201533900_3862979197605511168_o.jpg","filename":"69011840_2720261201533900_3862979197605511168_o.jpg","filesize":197755,"_links":{"self":[{"href":"https:\/\/atitheatre.ae\/index.php?rest_route=\/wp\/v2\/media\/52126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atitheatre.ae\/index.php?rest_route=\/wp\/v2\/media"}],"about":[{"href":"https:\/\/atitheatre.ae\/index.php?rest_route=\/wp\/v2\/types\/attachment"}],"author":[{"embeddable":true,"href":"https:\/\/atitheatre.ae\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atitheatre.ae\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=52126"}],"wp:attached-to":[{"embeddable":true,"post_type":"post","id":52117,"href":"https:\/\/atitheatre.ae\/index.php?rest_route=\/wp\/v2\/posts\/52117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}